Tutorials
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3.
Examples of Creating Profiles |
We will explain how to create profiles for
carrying out particular purpose.
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3.1. Converting Setup Data of "S40"
into that of "S16" Automatically |
(1)Considering the steps of this process
You can divide the process into following steps.
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1.Delete Time Sign at the location of "480" tick.
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2.Delete Tempo information at the location of " 0"
tick.
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3.Move the original Tempo to "0"tick.
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4.Change Time Sign to "4/4".
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5.Delete both "START" and "STOP" CuePoints.
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6.Delete all notes at the first beat and move
notes one beat forward after second beat.
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7.Move the note at the head beat of the first beat
backward by the specified tick.
If the Gate (Duration) overwraps the second bar, it will be
shortened.
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(2)Describe the steps in profile
If the above process to be taken, you will have to enter the following text in
profile.
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Operation |
Message |
Channel |
Location |
Del |
TimeSign |
- |
480 |
Del |
Tempo |
- |
0 |
Move |
Tempo |
- |
0 |
Conv |
TimeSign=4/4 |
- |
0 |
Del |
CuePoint=START |
- |
- |
Del |
CuePoint=STOP |
- |
- |
Del |
Beat=1 |
- |
- |
Move |
Note=Beat=1 |
- |
#7 |
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3.2. Converting Data of "40 Voices"
into that of "16 Voices" Automatically |
(1)Consider the steps of this process
You can divide the process into following steps.
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1. Split the track that has more than 3 voices only when whole
data exceeds 16 voices.
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2. Save the current data into a file (In
order to use it when you delete the notes manually).
Save the file into "SPLIT" folder.
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3. Delete 5th of SPLIT only when whole data exceeds 16 voices.
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4. Delete 4th of SPLIT only when whole data exceeds 16 voices.
(This process will not take place if the data is within 16 voices in step 3.)
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5. Delete 2nd of SPLIT only when whole data exceeds 16 voices.
(This process will not take place if the data is within 16 voices in step 4.)
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(2)Describe the steps in profile
If the above process to be taken, you will have to enter the following text in
profile.
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Operation |
Message |
Channel |
Location |
Split |
Voice>16 |
- |
Voice>2 |
Save |
File=SPLIT |
- |
- |
Del |
Track=Fifth |
- |
Voice>16 |
Del |
Track=Fourth |
- |
Voice>16 |
Del |
Track=Second |
- |
Voice>16 |
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3.3. Creating Vibration Tracks Automatically |
(1)Consider the steps of this process
Suppose it vibrates at the same rhythm of the bass drums.
You can divide the process into following steps.
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1.Copy channel 10 and create a new track.
Create the new track in Track 16.
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2.Delete all the notes in Track 16 except the notes of Bass
Drums.
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3.Set the Velocity of Track 16 to "1".
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4.Set the Gate Time of Track 16 to "80".
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5.Set the Channel Volume of Track 16 to "0".
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6.Set the Sequence Name to "1-Vibe".
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7.Set the Program Change of Track 16 to "127".
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(2)Describe the steps in profile
If the above process to be taken, you will have to enter the following text in
profile.
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Operation |
Message |
Channel |
Location |
Copy |
Track=16 |
- |
Chanel=10 |
Del |
Note=0 |
Track=16 |
- |
Del |
Note=1 |
Track=16 |
- |
Del |
Note=2 |
Track=16 |
- |
Del |
Note=3 |
Track=16 |
- |
Del |
Note=4 |
Track=16 |
- |
Del |
Note=5 |
Track=16 |
- |
Del |
Note=6 |
Track=16 |
- |
Del |
Note=7 |
Track=16 |
- |
Del |
Note=8 |
Track=16 |
- |
Del |
Note=9 |
Track=16 |
- |
Del |
Note=10 |
Track=16 |
- |
Del |
Note=11 |
Track=16 |
- |
Del |
Note=12 |
Track=16 |
- |
Del |
Note=13 |
Track=16 |
- |
Del |
Note=14 |
Track=16 |
- |
Del |
Note=15 |
Track=16 |
- |
Del |
Note=16 |
Track=16 |
- |
Del |
Note=17 |
Track=16 |
- |
Del |
Note=18 |
Track=16 |
- |
Del |
Note=19 |
Track=16 |
- |
Del |
Note=20 |
Track=16 |
- |
Del |
Note=21 |
Track=16 |
- |
Del |
Note=22 |
Track=16 |
- |
Del |
Note=23 |
Track=16 |
- |
Del |
Note=24 |
Track=16 |
- |
Del |
Note=25 |
Track=16 |
- |
Del |
Note=26 |
Track=16 |
- |
Del |
Note=27 |
Track=16 |
- |
Del |
Note=28 |
Track=16 |
- |
Del |
Note=29 |
Track=16 |
- |
Del |
Note=30 |
Track=16 |
- |
Del |
Note=31 |
Track=16 |
- |
Del |
Note=32 |
Track=16 |
- |
Del |
Note=33 |
Track=16 |
- |
Del |
Note=34 |
Track=16 |
- |
Del |
Note=37 |
Track=16 |
- |
Del |
Note=38 |
Track=16 |
- |
Del |
Note=39 |
Track=16 |
- |
Del |
Note=40 |
Track=16 |
- |
Del |
Note=41 |
Track=16 |
- |
Del |
Note=42 |
Track=16 |
- |
Del |
Note=43 |
Track=16 |
- |
Del |
Note=44 |
Track=16 |
- |
Del |
Note=45 |
Track=16 |
- |
Del |
Note=46 |
Track=16 |
- |
Del |
Note=47 |
Track=16 |
- |
Del |
Note=48 |
Track=16 |
- |
Del |
Note=49 |
Track=16 |
- |
Del |
Note=50 |
Track=16 |
- |
Del |
Note=51 |
Track=16 |
- |
Del |
Note=52 |
Track=16 |
- |
Del |
Note=53 |
Track=16 |
- |
Del |
Note=54 |
Track=16 |
- |
Del |
Note=55 |
Track=16 |
- |
Del |
Note=56 |
Track=16 |
- |
Del |
Note=57 |
Track=16 |
- |
Del |
Note=58 |
Track=16 |
- |
Del |
Note=59 |
Track=16 |
- |
Del |
Note=60 |
Track=16 |
- |
Del |
Note=61 |
Track=16 |
- |
Del |
Note=62 |
Track=16 |
- |
Del |
Note=63 |
Track=16 |
- |
Del |
Note=64 |
Track=16 |
- |
Del |
Note=65 |
Track=16 |
- |
Del |
Note=66 |
Track=16 |
- |
Del |
Note=67 |
Track=16 |
- |
Del |
Note=68 |
Track=16 |
- |
Del |
Note=69 |
Track=16 |
- |
Del |
Note=70 |
Track=16 |
- |
Del |
Note=71 |
Track=16 |
- |
Del |
Note=72 |
Track=16 |
- |
Del |
Note=73 |
Track=16 |
- |
Del |
Note=74 |
Track=16 |
- |
Del |
Note=75 |
Track=16 |
- |
Del |
Note=76 |
Track=16 |
- |
Del |
Note=77 |
Track=16 |
- |
Del |
Note=78 |
Track=16 |
- |
Del |
Note=79 |
Track=16 |
- |
Del |
Note=80 |
Track=16 |
- |
Del |
Note=81 |
Track=16 |
- |
Del |
Note=82 |
Track=16 |
- |
Del |
Note=83 |
Track=16 |
- |
Del |
Note=84 |
Track=16 |
- |
Del |
Note=85 |
Track=16 |
- |
Del |
Note=86 |
Track=16 |
- |
Del |
Note=87 |
Track=16 |
- |
Del |
Note=88 |
Track=16 |
- |
Del |
Note=89 |
Track=16 |
- |
Del |
Note=90 |
Track=16 |
- |
Del |
Note=91 |
Track=16 |
- |
Del |
Note=92 |
Track=16 |
- |
Del |
Note=93 |
Track=16 |
- |
Del |
Note=94 |
Track=16 |
- |
Del |
Note=95 |
Track=16 |
- |
Del |
Note=96 |
Track=16 |
- |
Del |
Note=97 |
Track=16 |
- |
Del |
Note=98 |
Track=16 |
- |
Del |
Note=99 |
Track=16 |
- |
Del |
Note=100 |
Track=16 |
- |
Del |
Note=101 |
Track=16 |
- |
Del |
Note=102 |
Track=16 |
- |
Del |
Note=103 |
Track=16 |
- |
Del |
Note=104 |
Track=16 |
- |
Del |
Note=105 |
Track=16 |
- |
Del |
Note=106 |
Track=16 |
- |
Del |
Note=107 |
Track=16 |
- |
Del |
Note=108 |
Track=16 |
- |
Del |
Note=109 |
Track=16 |
- |
Del |
Note=110 |
Track=16 |
- |
Del |
Note=111 |
Track=16 |
- |
Del |
Note=112 |
Track=16 |
- |
Del |
Note=113 |
Track=16 |
- |
Del |
Note=114 |
Track=16 |
- |
Del |
Note=115 |
Track=16 |
- |
Del |
Note=116 |
Track=16 |
- |
Del |
Note=117 |
Track=16 |
- |
Del |
Note=118 |
Track=16 |
- |
Del |
Note=119 |
Track=16 |
- |
Del |
Note=120 |
Track=16 |
- |
Del |
Note=121 |
Track=16 |
- |
Del |
Note=122 |
Track=16 |
- |
Del |
Note=123 |
Track=16 |
- |
Del |
Note=124 |
Track=16 |
- |
Del |
Note=125 |
Track=16 |
- |
Del |
Note=126 |
Track=16 |
- |
Del |
Note=127 |
Track=16 |
- |
Conv |
Velocity=1 |
Track=16 |
- |
Conv |
GateTime=80 |
Track=16 |
- |
Conv |
ChanelVolume=0 |
Track=16 |
- |
Conv |
SequenceName=1-Vibe |
Track=16 |
- |
Conv |
ProgramChange=127 |
Track=16 |
- |
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